UNRESTRAINED/REFRAINS

Sunday, March 31, 2019

Rockstar friends from the classical world reinvent our most beloved songs.

The word of the day is PLAY! Improvise, create, experiment, express, and find your own voice—a voice that is uniquely “you”! Tap dancer extraordinaire Savion Glover and “guerilla violinist” Charles Yang each return to MUSE/IQUE to join Artistic Director and Conductor Rachael Worby in an explosive collaboration that will engage all of your senses and show you new and inventive ways you can make art with your whole body.

FEARTURING THE DYNAMIC TALENTS OF: 
 
Savion Glover – Dance – 1996 Best Choreography Tony Award for “Bring in ‘da Noise, Bring in ‘da Funk” | 2016 Tony Award nominee for “Shuffle Along” | Youngest ever recipient of a grant from the National Endowment for the Arts

Charles Yang – Violin – Recipient of the 2018 Leonard Bernstein Award | Lincoln Center’s Metropolitan Opera House | Carnegie Hall
 


A MUSICAL ADVENTURE AWAITS. RESERVE YOUR SEATS TODAY!
 
GETTING THERE

Location and parking details will be provided soon. Thank you for your patience.
 
WHEN YOU ARRIVE 
 
Mingling 6PM 
Tasty treats and libations will be available for purchase. Please note that, although you may bring your own culinary delights, there will be limited access to tables. 
 
Performance 7PM 
We will enjoy a 70-minute show with no intermission.
 
A section of our seating is booked for MUSE/IQUE members and available to them on a first-come-first-served basis, while the rest is eclectic and unreserved for ticket buyers and community guests. 
 
For more information about a select few reserved seats through sponsorship or elevated philanthropic giving ($25,000+), please call Individual Giving Manager Sevana Richmond at 626-844-7703 or email sevana@muse-ique.com.
 
Questions? | Brianne Hannum, Audience Development Manager, is at your service!
Call 626-539-7085 or email membership@muse-ique.com.
 
 
MUSE/IQUE is grateful for the support of East West Bank, the Ralph M. Parsons Foundation, and Parsons Corporation.

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